Denniston, C. (2007). The meaning of tango: The story of the Argentinian dance. New York, NY: Anova Books.
Denniston’s book offers invaluable pieces of evidence on the meaning as well as the origin of tango. The publication contends that tango started in the 1850s, bringing together components introduced to Argentina because of mixing of immigrant communities. The source will be critical for the writing of the research paper as it contains all that a research investigating tango origins would need. The several chapters in the book will be essential for the final research on the topic.
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The audience is treated to the honest narrations by the author. For instance, he states that “It was one of the first dances to use the shocking new hold, popularized by the Viennese Waltz, in which a man and woman stood in front of each other and put their arms around each other.” (Denniston, 2007, p. 23). (Word Count: 135).
Guerrero Medina, M. (2008). Stepping Back, Unmasking Tango:(Re) Covering the African Elements in Tango. DeRLAS, 9(1), 1-10.
Medina’s source attempts to unearth tango, thereby bringing to the fore the African components incorporated into the dance. The author provides the reader with a uniquely organized chronological narrative concerning tango in Argentina. In this context, the author argues that much of the components of tango were borrowed from African immigrants who moved to the country in the 19th Century.
The article will be essential for research paper since it offers critical explanations that founded the establishment of tango, such as politics and cultures. There is no doubt that the final document will broadly refer to this invaluable source of origin for tango. The article highlights the growing black population by 1730 in Buenos Aires. Specifically, “90% of the blacks in Argentina came from Angola” (Dennison, 2008, p. 2). (Word Count: 129).
Thompson, R. F. (2010). Tango: The art history of love. New York, NY: Vintage.
This book takes a historical look at the origin of tango, specifically how it was started and embraced love an integral ingredient. The author contends that author the texts associated with the art vary from time to time and from one writer to another, the message of love has always been maintained.
This source will be important in the research process of the final paper since it digs deeper to understand the roots of tango, including the earliest texts that were composed by Buenos Aires. Overall, it appears as if tango is founded on love; for example, the author says “…woman who ditched me in the splendor of my youth…” (Thompson, 2010, p. 30).the contents of the book chapters efficiently quench a reader’s thirst to understand the origin of tango and its central aspect of love in the 19th century. (Word Count: 140).
Groppa, C. G. (2003). The tango in the United States: a history. New York, NY: McFarland.
Grappa’s book provides the reader with invaluable information regarding the country of origin of tango. Although the title of the book suggests that the publication focuses on the history of the music art in the United States, the writer extensively covers its origins before it was introduced outside Argentina. Overall, the book will be essential in the research process and final paper since it will be referenced on several instances to support claims in the final document.
Chapters in the book are well written and apparently support its title. Terming it as both attractive to the ear as well as the feet, the author contends that the music art spread in “Buenos Aires’ slums around the end of the nineteenth century…” (Groppa, 2003, p. 16). The information in the book is indispensable as it offers honest views that attract the audience in an exceptional manner. (Word Count: 145).
- Denniston, C. (2007). The meaning of tango: The story of the Argentinian dance. New York, NY: Anova Books.
- Guerrero Medina, M. (2008). Stepping Back, Unmasking Tango:(Re) Covering the African Elements in Tango. DeRLAS, 9(1), 1-10.
- Thompson, R. F. (2010). Tango: The art history of love. New York, NY: Vintage.
- Groppa, C. G. (2003). The tango in the United States: a history. New York, NY: McFarland.
