Introduction: The story “The bane of the internet” exhibits the themes of struggles, family connections, and belonging.
Argument #1: The theme of struggles is portrayed by the narrator who strives to make ends meet in Brooklyn, New York.
Supporting point: The narrator states that she has to put up with an awful job as a waitress at a sushi house while her family think that she always has money. Further, the legs of the narrator are swollen from working for ten hours every day (Jin 591).
Supporting point: The narrator is reluctant to lend her sister money to buy a car since she was still saving to get a down payment for an apartment in Queens (Jin 591).
Argument #2: The theme of family connections is exhibited by the strong family relations exhibited by the narrator and her sister.
Supporting point: The narrator displays concern for the welfare and well-being of her sister by when she advises her to leave her abusive marriage, supporting her to pay her mortgage, and lending her money for to buy a car to prevent her from selling her organs online (Jin 591-593).
Supporting point: The narrator is worried that if her sister messes her life, there would be no one to look after their old parents (Jin 592).
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Argument #3: The theme of belonging is exhibited by Yuchin’s need to fit in the modern society.
Supporting point: Yuchin feels left out after seeing that most of her friends had cars. This feeling is aggravated after she sees her little niece riding a brand-new Volkswagen (Jin 590-591).
Support point: Although she has enough money to purchase a car, Yuchin does not want to purchase a Chinese car as people will think that she is cheap (Jin 591).
Conclusion: The themes of struggles, family connection, and belonging are exhibited by the narration of the narrator and the email exchanges between the narrator and her sister.
- Jin, Ha. “The Bane of the Internet”. Compact Literature: Reading, Reacting, Writing, Laurie G. Kirszner and Stephen R. Mandell, 9th ed., Cengage Learning, Boston, MA, 2017, pp. 590-592, Accessed 31 Aug 2018.
